{"id":2214199,"date":"2026-07-03T14:29:29","date_gmt":"2026-07-03T12:29:29","guid":{"rendered":"https:\/\/twelve-assistant.com\/videos\/technique-darpege-au-mediator-cours-avec-le-prof\/"},"modified":"2026-07-03T14:29:29","modified_gmt":"2026-07-03T12:29:29","slug":"technique-darpege-au-mediator-cours-avec-le-prof","status":"publish","type":"ta_video","link":"https:\/\/twelve-assistant.com\/en\/videos\/technique-darpege-au-mediator-cours-avec-le-prof\/","title":{"rendered":"Technique d’arpe\u0300ge au me\u0301diator – Cours avec le prof"},"content":{"rendered":"

Aller ou retour ? Dans quel sens attaquer les cordes pour arp\u00e9ger au m\u00e9diator sans se prendre la t\u00eate ? Dans cette vid\u00e9o, on te donne deux petites r\u00e8gles simples qui changent tout.<\/p>\n

L’arp\u00e8ge au m\u00e9diator (au plectre pour les puristes) sonne diff\u00e9remment de l’arp\u00e8ge au doigt : plus cristallin, parfois indispensable sur certains morceaux. On pense \u00e0 Californication des Red Hot, House of the Rising Sun, ou encore Hurt de Nine Inch Nails repris par Johnny Cash.<\/p>\n

Le probl\u00e8me classique : on croit qu’il faut faire de l’aller-retour. Mauvaise id\u00e9e. La vraie cl\u00e9, c’est de suivre le sens physique des cordes (une logique proche du sweeping) et de placer un retour uniquement sur la derni\u00e8re note pour ramener la main vers la basse suivante. Ajoute \u00e0 \u00e7a un d\u00e9tail qui change tout : garder la paume pos\u00e9e sur le chevalet pour ne jamais perdre le rep\u00e8re des cordes.<\/p>\n

Un petit tip, mais un vrai d\u00e9clic.<\/p>\n

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SOMMAIRE<\/p>\n

00:00 Arp\u00e8ge au doigt ou au m\u00e9diator ?
\n00:41 Pourquoi jouer l’arp\u00e8ge au m\u00e9diator (Californication, House of the Rising Sun, Hurt)
\n01:34 Le vrai probl\u00e8me : aller ou retour ?
\n01:54 Pourquoi l’aller-retour pur est une mauvaise id\u00e9e
\n02:02 Premier exemple : le d\u00e9but de Californication
\n02:50 La r\u00e8gle du sens des cordes (logique sweeping)
\n03:31 Le retour sur la derni\u00e8re note pour ramener la main
\n03:56 Exercice hors morceau : l’arp\u00e8ge de R\u00e9 majeur
\n04:57 Le d\u00e9clic : garder la paume pos\u00e9e sur le chevalet
\n06:11 Pourquoi la main bouge au m\u00e9diator (et pas au doigt)
\n06:53 Petits effets bonus : mandoline, clavecin
\n07:07 R\u00e9cap des deux r\u00e8gles
\n07:26 Application sur Hurt (Johnny Cash)
\n07:46 Aller-retour sur Hurt : faisable mais gal\u00e8re
\n08:22 Conclusion : suivre le sens des cordes
\n08:43 Le mot de la fin<\/p>\n","protected":false},"excerpt":{"rendered":"

Aller ou retour ? Dans quel sens attaquer les cordes pour arp\u00e9ger au m\u00e9diator sans se prendre la t\u00eate ? Dans cette vid\u00e9o, on te donne deux petites r\u00e8gles simples qui changent tout. L’arp\u00e8ge au m\u00e9diator (au plectre pour les puristes) sonne diff\u00e9remment de l’arp\u00e8ge au doigt : plus cristallin, parfois indispensable sur certains morceaux. […]<\/p>\n","protected":false},"featured_media":2214200,"template":"","ta_video_category":[],"ta_video_tag":[],"class_list":["post-2214199","ta_video","type-ta_video","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nTechnique d'arpe\u0300ge au me\u0301diator - Cours avec le prof - Twelve Assistant<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/twelve-assistant.com\/videos\/technique-darpege-au-mediator-cours-avec-le-prof\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Technique d'arpe\u0300ge au me\u0301diator - Cours avec le prof - Twelve Assistant\" \/>\n<meta property=\"og:description\" content=\"Aller ou retour ? Dans quel sens attaquer les cordes pour arp\u00e9ger au m\u00e9diator sans se prendre la t\u00eate ? 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